As composers, we're expected to write new music for commissions but what should we do with old music drafts we dismiss as not good enough?

This week is Easter Sunday; the day I turn thirty. With this milestone looming, I find myself reflecting on everything I've achieved.

In the music production industry, it's hard to get your foot in the door. I'd like to tell you about my first projects and how I got them.

In part 3 of this series of blogs about stock music, I talk about my own experience and which libraries have worked well for me.

This week, I'd like to give you a bit of information about PROs or Performance Rights Organisations and why it might be a good idea to join.

For four years now, I've been writing music for stock libraries. I'd like to share with you what I've learned about the industry.

In this blog, I'd like to talk about the difficulties of maintaining a music-based business in these unprecedented times.

I decided to look through my compositions to discover what patterns are in my writing style and whether these have developed over time.

It's been 7 months since I had to make the move to video lessons. Here's what happened to my routine amid the COVID pandemic.

I've come across many music production studio setups that look absolutely amazing. In comparison, mine is quite small. Here's a little...